Foxton Locks

The system is flawed. But Jeanine has the math to tip it over.

A few years from now, Jeanine loses everything. Forced to abandon her studies in Applied Mathematics, she leaves Imperial College London behind and moves to Foxton Locks—a decaying heritage site with rusted gates, overgrown paths, and a disused Boiler House now occupied by her uncle Leonard, a former nuclear plant operator in a wheelchair and with a mind as sharp as ever.

The museum is closed. The locks are silent. But beneath it all, energy still flows.

At first, it’s just a quiet place to recover and regroup. But as Jeanine and Leonard begin to piece together the past—and study the shifting behavior of the grid—they uncover something larger: a structural flaw in the energy market that rewards dysfunction and punishes flexibility. Poppy Point 3, the UK’s newest nuclear plant, plays that system for all it’s worth, draining public funds through a market model few truly understand.

Jeanine has seen this pattern before. In her unfinished Master’s research, she used Stochastic Resonance modeling to predict the conditions under which coal plants turn into stranded assets overnight. Now, she realizes the same rules apply to nuclear. The equilibrium is fragile. One push in the right place, and the system doesn’t just wobble—it tips.

By day, she works in London at Lloyd’s, surrounded by finance executives who assume she’s just another good-looking assistant going nowhere. By night, she builds a quiet rebellion, modeling price fluctuations, predicting failures, and mapping the weak points no one else sees. With Leonard’s guidance and a scattered network of insiders, she begins testing a theory: what if a forgotten 19th-century waterway could be repurposed—not just to generate power, but to introduce just enough noise into the system to reveal the patterns and trigger the tipping point?

The deeper she gets, the more she realizes: this isn’t just about physics. It’s about how technology shifts—and who gets left behind. Jeanine isn’t out to start a revolution. She’s setting the conditions for what was always inevitable.

And this time, she’s the one holding the equation.

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